{"id":20110,"date":"2016-09-08T13:17:37","date_gmt":"2016-09-08T18:17:37","guid":{"rendered":"http:\/\/nofm-radio.com\/?p=20110"},"modified":"2016-09-08T13:17:37","modified_gmt":"2016-09-08T18:17:37","slug":"ya-esta-aqui-la-seleccion-oficial-de-11docsdf","status":"publish","type":"archivo","link":"https:\/\/nofm-radio.com\/?archivo=ya-esta-aqui-la-seleccion-oficial-de-11docsdf","title":{"rendered":"Ya est\u00e1 aqu\u00ed la Selecci\u00f3n Oficial de #11DocsDF"},"content":{"rendered":"<p>Ya lleg\u00f3, ya est\u00e1 aqu\u00ed, la <strong>Selecci\u00f3n Oficial<\/strong> del <strong>Festival Internacional de Cine Documental de la Ciudad de M\u00e9xico<\/strong>. Como siempre hay para todos los gustos, y la mejor manera de elegir qu\u00e9 documentales ver es, obviamente, darle un vistazo a la lista y ac\u00e1 la tenemos completita para todos ustedes.<\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Around the Cities<\/strong><\/p>\n<p style=\"text-align: center;\">Wim Wenders afirma que el \u00abcine pertenece a la ciudad y refleja su esencia\u00bb y no se equivoca.<\/p>\n<p><em><strong>21 x Nueva York<\/strong><\/em> | 21 x Nowy Jork | 21 x New York<br \/>\nDe Piotr Stasik | Polonia | 2016 | 71\u2019 | ingl\u00e9s, chino, ruso, polaco<br \/>\n<em><strong>Cuando la Tierra parece ligera<\/strong><\/em> | Rotsda dedamitsa msubukia | When the Earth Seems to Be Light<br \/>\nDe Salome Machaidze, Tamuna Karumidze, David Meskhi | Georgia, Alemania | 2015 | 75\u2019 | georgiano<br \/>\n<em><strong>El fin del mundo<\/strong><\/em> | Koniec \u015bwiata | End of the World<br \/>\nDe Monika Pawluczuk | Polonia | 2015 | 40\u2019 | polaco<br \/>\n<em><strong>La ciudad de los fragmentos<\/strong><\/em> | City of Fragments<br \/>\nDe Anaid Gonz\u00e1lez S\u00e1enz | M\u00e9xico | 2015 | 40\u2019 | espa\u00f1ol<br \/>\n<em><strong>Los nueve<\/strong><\/em> | The Nine<br \/>\nDe Katy Grannan | Estados Unidos | 2016 | 98\u2019 | ingl\u00e9s<br \/>\n<em><strong>Si<\/strong><strong>\u00e9<\/strong><strong>ntate y mira<\/strong> <\/em>| Sit and Watch<br \/>\nDe Francisco Forbes, Matthew Barton | Reino Unido | 2016 | 37\u2019 | ingl\u00e9s<\/p>\n<p style=\"text-align: center;\"><strong>Breaking Docs<\/strong><\/p>\n<p style=\"text-align: center;\">Una visi\u00f3n diferente de las noticias que ocupan las primeras planas alrededor del planeta.<\/p>\n<p><em><strong>Alisa en el pa<\/strong><strong>\u00ed<\/strong><strong>s de la guerra<\/strong><\/em> | Alisa w krainie wojny | Alisa in Warland<br \/>\nDe Alisa Kovalenko, Liubov Durakova | Polonia | 2015 | 74\u2019 | ucraniano, ruso, franc\u00e9s, ingl\u00e9s<br \/>\n<em><strong>Freightened. El precio real del transporte mar<\/strong><strong>\u00ed<\/strong><strong>timo<\/strong><\/em> | Freightened. The Real Price of Shipping<br \/>\nDe Denis Delestrac | Espa\u00f1a, Francia | 2016 | 84\u2019 | ingl\u00e9s, franc\u00e9s, espa\u00f1ol<br \/>\n<em><strong>Hoka Hey. Un buen d<\/strong><strong>\u00ed<\/strong><strong>a para morir<\/strong> <\/em>| Hoka Hey. A Good Day to Die<br \/>\nDe Harold Monfils | Malasia | 2016 | 87\u2019 | ingl\u00e9s, espa\u00f1ol<br \/>\n<em><strong>Libertad de expresi<\/strong><strong>\u00f3<\/strong><strong>n, libre de miedo<\/strong><\/em> | Free Speech Fear Free<br \/>\nDe Tarquin Ramsay | Reino Unido, Alemania | 2016 | 80\u2019 | ingl\u00e9s<br \/>\n<em><strong>Una filtraci<\/strong><strong>\u00f3<\/strong><strong>n en el para<\/strong><strong>\u00ed<\/strong><strong>so. El hombre que quer<\/strong><strong>\u00ed<\/strong><strong>a destruir el secreto bancario<\/strong><\/em> | A Leak in Paradise. L\u2019homme qui voulait d\u00e9truire le secret bancaire | De David Leloup | B\u00e9lgica, Pa\u00edses Bajos | 2015 | 76\u2019 | franc\u00e9s, ingl\u00e9s, alem\u00e1n suizo<\/p>\n<p style=\"text-align: center;\"><strong>Cinepo\u00e8me<\/strong><\/p>\n<p style=\"text-align: center;\">Poemas visuales que se transforman en apacibles o vertiginosos viajes por distintas latitudes.<\/p>\n<p><strong><em>Dead Slow Ahead<\/em> <\/strong><br \/>\nDe Mauro Herce | Espa\u00f1a, Francia | 2015 | 74\u2019 | tagalo<br \/>\n<em><strong>Fantas<\/strong><strong>\u00ed<\/strong><strong>a caribe<\/strong><strong>\u00f1<\/strong><strong>a<\/strong><\/em> | Caribbean Fantasy<br \/>\nDe Johann\u00e9 G\u00f3mez Terrero | Rep\u00fablica Dominicana | 2016 | 53\u2019 | espa\u00f1ol<br \/>\n<em> <strong>Hermanos<\/strong><\/em> | Br\u00f8dre | Brothers<br \/>\nDe Aslaug Holm | Noruega | 2015 | 110\u2019 | noruego<br \/>\n<em><strong>Hermanos<\/strong><\/em> | Irm\u00e3os | Brothers<br \/>\nDe Pedro Magano | Portugal | 2015 | 71\u2019 | portugu\u00e9s<br \/>\n<em><strong>La familia chechena<\/strong><\/em> | The Chechen Family<br \/>\nDe Mart\u00edn Sol\u00e1 | Argentina, Rusia | 2015 | 60\u2019 | checheno<br \/>\n<strong><em>Nueva Venecia<\/em> <\/strong><br \/>\nDe Emiliano Mazza de Luca | Uruguay, Colombia, M\u00e9xico | 2016 | 80\u2019 | espa\u00f1ol<br \/>\n&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Doctubre Mx | Mx Doctober<\/strong><\/p>\n<p style=\"text-align: center;\">Una red de exhibici\u00f3n colaborativa que desaf\u00eda las salas convencionales y teje comunidad.<\/p>\n<p><em><strong>Cannabis en Uruguay<\/strong><\/em> | Cannabis in Uruguay<br \/>\nDe Federika Odriozola | Uruguay | 2015 | 61\u2019 | espa\u00f1ol, ingl\u00e9s<br \/>\n<em><strong>Caracoles<\/strong><\/em> | \u015alimaki | Snails<br \/>\nDe Grzegorz Szczepaniak | Polonia | 2015 | 29\u2019 | polaco<br \/>\n<em><strong>FatMob<\/strong><\/em><br \/>\nDe Julie Wyman | Estados Unidos | 2016 | 14\u2019 | ingl\u00e9s<br \/>\n<em><strong>La querencia<\/strong><\/em> | The Fondness<br \/>\nDe Erick Rodr\u00edguez Alonso | M\u00e9xico | 2015 | 12\u2019 | espa\u00f1ol<br \/>\n<em><strong>La tortuga primordial<\/strong><\/em> | The Primordial Turtle<br \/>\nDe Eduardo Quiroz | M\u00e9xico | 2015 | 73\u2019 | espa\u00f1ol, ingl\u00e9s<br \/>\n<em><strong>Lirio Mendoza<\/strong><\/em><br \/>\nDe Alfredo Padilla, Marta Violante | M\u00e9xico | 2016 | 14\u2019 | espa\u00f1ol<br \/>\n<em><strong>Los homicidios <\/strong><strong>del <\/strong><strong>karma<\/strong><\/em> | The Karma Killings<br \/>\nDe Ram Devineni | India | 2016 | 84\u2019 | hindi<br \/>\n<em><strong>Los otros chicos<\/strong><\/em> | The Other Kids<br \/>\nDe Pablo de la Chica | Espa\u00f1a | 2016 | 82\u2019 | luganda, ingl\u00e9s, espa\u00f1ol<br \/>\n<em><strong>Porristas<\/strong><\/em> | Cheerleaderki | Cheerleaders<br \/>\nDe S\u0142awomir Witek | Polonia | 2015 | 40\u2019 | polaco<br \/>\n<em><strong>\u00bf<\/strong><strong>Qui<\/strong><strong>\u00e9<\/strong><strong>n mat<\/strong><strong>\u00f3 <\/strong><strong>a Elo<\/strong><strong>\u00e1<\/strong><strong>?<\/strong><\/em> | Quem Matou Elo\u00e1? | Who Killed Elo\u00e1?<br \/>\nDe L\u00edvia Perez | Brasil | 2015 | 24\u2019 | portugu\u00e9s<br \/>\n<em><strong>Un 9 de abril&#8230;<\/strong><\/em> | On an April 9&#8230;<br \/>\nDe Edgar Humberto \u00c1lvarez | Colombia | 2016 | 15\u2019 | espa\u00f1ol<\/p>\n<p style=\"text-align: center;\"><strong>Docuthriller<\/strong><\/p>\n<p style=\"text-align: center;\">Incre\u00edbles historias llenas de suspenso, intriga y misterio, una realidad que rebasa la ficci\u00f3n.<\/p>\n<p><em><strong>Cuando hablamos de la KGB<\/strong><\/em> | A\u0161 u\u017e tave pakalb\u0117siu | When We Talk About KGB<br \/>\nDe Max\u00ec Dejoie, Virginija Vareikyt\u0117 | Lituania, Italia | 2015 | 73\u2019 | lituano<br \/>\n<em><strong>El crazy che<\/strong><\/em> | The Crazy Che<br \/>\nDe Pablo Chehebar, Nicol\u00e1s Iacouzzi | Argentina | 2015 | 87\u2019 | espa\u00f1ol, ingl\u00e9s<br \/>\n<em><strong>La promesa<\/strong><\/em> | Das Versprechen | The Promise<br \/>\nDe Marcus Vetter, Karin Steinberger | Alemania, Estados Unidos | 2016 | 137\u2019 | alem\u00e1n, ingl\u00e9s<br \/>\n<em><strong>Rabia blanca<\/strong><\/em> | Valkoinen raivo | White Rage<br \/>\nDe Arto Halonen | Finlandia | 2015 | 73\u2019 | fin\u00e9s<br \/>\n<strong><em>Un buen estadounidens<\/em>e<\/strong> | A Good American<br \/>\nDe Friedrich Moser | Austria | 2015 | 100\u2019 | ingl\u00e9s<\/p>\n<p style=\"text-align: center;\"><strong>Fragmentos | Fragments<\/strong><\/p>\n<p style=\"text-align: center;\">Microhistorias que duran una fracci\u00f3n, un instante, pero que perduran mucho tiempo en la memoria.<\/p>\n<p><em><strong>Aurelia y Pedro<\/strong><\/em> | Aurelia and Pedro<br \/>\nDe Jos\u00e9 Permar, Omar Robles | M\u00e9xico | 2015 | 16\u2019 | espa\u00f1ol, wix\u00e1rika<br \/>\n<em><strong>(Auto)exposiciones<\/strong> <\/em>| (Self)Exhibitions<br \/>\nDe Florencia Aliberti | Argentina, Espa\u00f1a | 2015 | 15\u2019 | ingl\u00e9s<br \/>\n<em><strong>Camrex <\/strong><\/em><br \/>\nDe Mark Chapman | Reino Unido | 2015 | 14\u2019 | ingl\u00e9s<br \/>\n<em><strong>Desencuentros<\/strong><\/em> | Misencounters<br \/>\nDe Sof\u00eda Landgrave Barbosa | M\u00e9xico | 2016 | 11\u2019 | espa\u00f1ol<br \/>\n<em><strong>El buzo<\/strong><\/em> | The Diver<br \/>\nDe Esteban Arrangoiz | M\u00e9xico | 2015 | 16\u2019 | espa\u00f1ol<br \/>\n<em><strong>El francotirador de Kobane<\/strong><\/em> | The Sniper of Koban\u00ee<br \/>\nDe Reber Dosky | Pa\u00edses Bajos | 2015 | 13\u2019 | \u00e1rabe<br \/>\n<em><strong>El lugar m<\/strong><strong>\u00e1<\/strong><strong>s cerca de Dios<\/strong><\/em> | The Closest Place to God<br \/>\nDe Yreri Aguirre Palom\u00e9 | M\u00e9xico | 2015 | 14\u2019 | espa\u00f1ol<br \/>\n<em><strong>El nido<\/strong><\/em> | Gniazdo | Habitat<br \/>\nDe Arjun Talwar, Oliver Kr\u00fcger | Polonia | 2015 | 18\u2019 | bereber<br \/>\n<em><strong>El viajero subterr<\/strong><strong>\u00e1<\/strong><strong>neo<\/strong><\/em> | The Underground Traveler<br \/>\nDe Chantal Rodr\u00edguez Anguiano | M\u00e9xico | 2015 | 16\u2019 | espa\u00f1ol<br \/>\n<em><strong>En defensa del misil<\/strong><\/em> | In Defense of the Rocket<br \/>\nDe Martin Ginestie | Reino Unido | 2015 | 6\u2019 | sin di\u00e1logos<br \/>\n<em><strong>Enemigo dentro<\/strong> <\/em>| An Enemy Within<br \/>\nDe Fran\u00e7ois Pesant | Canad\u00e1 | 2015 | 23\u2019 | ingl\u00e9s<br \/>\n<em><strong>Entre la huerta y el mar<\/strong><\/em> | Between a Garden and the Sea<br \/>\nDe Ariane Lorrain | Palestina, Canad\u00e1 | 2016 | 17\u2019 | \u00e1rabe, franc\u00e9s, ingl\u00e9s<br \/>\n<em><strong>Existencia<\/strong><\/em> | Kuxtal | Existence<br \/>\nDe Yamil Quintana | M\u00e9xico | 2016 | 11\u2019 | maya<br \/>\n<em><strong>Kil<\/strong><strong>\u00f3<\/strong><strong>metros por recorrer antes de dormir<\/strong> <\/em>| Miles to Go Before I Sleep<br \/>\nDe Hanna Hovitie | Finlandia | 2015 | 13\u2019 | ingl\u00e9s<br \/>\n<em><strong>La alianza del aprendizaje<\/strong><\/em> | The Learning Alliance<br \/>\nDe Muhammad Umar Saeed | Pakist\u00e1n | 2016 | 9\u2019 | urdu<br \/>\n<em><strong>La carga<\/strong><\/em> | The Load<br \/>\nDe V\u00edctor A. Guerrero Stoliar | Cuba | 2015 | 24\u2019 | espa\u00f1ol<br \/>\n<em><strong>Llamadas telef<\/strong><strong>\u00f3<\/strong><strong>nicas<\/strong><\/em>| Appels t\u00e9l\u00e9phoniques | Telephone Calls<br \/>\nDe Francisco Rodr\u00edguez | Francia, Chile | 2015 | 10\u2019 | franc\u00e9s<br \/>\n<em><strong>Lo mejor de lo peor<\/strong><\/em> | The Best of the Worst<br \/>\nDe Rafael Torrado, Antonio Contreras | M\u00e9xico | 2015 | 10\u2019 | espa\u00f1ol<br \/>\n<em><strong>Un documental<\/strong> <\/em>| Dokument | A Documentary Film<br \/>\nDe Marcin Podolec | Polonia | 2015 | 7\u2019 | polaco<br \/>\n<em><strong>Ojo por ojo<\/strong><\/em> | Eye for an Eye<br \/>\nDe Steve Bache, Mahyar Goudarzi, Louise Peter | Alemania | 2016 | 5\u2019 | ingl\u00e9s<br \/>\n<em><strong>Puntos suspensivos<\/strong><\/em> | Ellipsis<br \/>\nDe Paola Ovalle, Alfonso D\u00edaz Tovar | M\u00e9xico | 2015 | 9\u2019 | espa\u00f1ol<br \/>\n<em><strong>Reflejos de Londres<\/strong><\/em> | London Reflects<br \/>\nDe Jokin Pascual, Javier Dampierre | Espa\u00f1a, Reino Unido | 2015 | 3\u2019 | ingl\u00e9s<br \/>\n<em><strong>Tierra de brujas, mar de sirenas<\/strong><\/em> | Land of Witches, Sea of Mermaids<br \/>\nDe Delia Luna Couturier | M\u00e9xico | 2016 | 10\u2019 | espa\u00f1ol<\/p>\n<p style=\"text-align: center;\"><strong>Hecho en M\u00e9xico | Made in Mexico<\/strong><\/p>\n<p style=\"text-align: center;\">Miradas consagradas que dentro y fuera de nuestras fronteras ponen en alto el cine mexicano.<\/p>\n<p><em><strong>El hombre que vio demasiado<\/strong><\/em> | The Man Who Saw Too Much<br \/>\nDe Trisha Ziff | M\u00e9xico | 2015 | 88\u2019 | espa\u00f1ol<br \/>\n<em><strong>El Paso<\/strong><\/em><br \/>\nDe Everardo Gonz\u00e1lez | M\u00e9xico, Estados Unidos | 2015 | 76\u2019 | espa\u00f1ol<br \/>\n<em><strong>El remolino<\/strong> <\/em>| The Swirl<br \/>\nDe Laura Herrero Garv\u00edn | M\u00e9xico | 2016 | 73\u2019 | espa\u00f1ol<br \/>\n<em><strong>La balada del Oppenheimer Park<\/strong> <\/em>| The Ballad of Oppenheimer Park<br \/>\nDe Juan Manuel Sep\u00falveda | M\u00e9xico | 2016 | 76\u2019 | ingl\u00e9s<br \/>\n<em><strong>La laguna<\/strong><\/em> | The Lagoon<br \/>\nDe Aaron Schock | Estados Unidos | 2015 | 40\u2019 | maya<br \/>\n<em><strong>Tempestad<\/strong> <\/em>| Tempest<br \/>\nDe Tatiana Huezo | M\u00e9xico | 2016 | 105\u2019 | espa\u00f1ol<\/p>\n<p style=\"text-align: center;\"><strong>M\u00e1s r\u00e1pido, m\u00e1s alto, m\u00e1s fuerte | Faster, Higher, Stronger<\/strong><\/p>\n<p style=\"text-align: center;\">El deporte no s\u00f3lo son trofeos y reflectores, tambi\u00e9n es sacrificio, superaci\u00f3n y sobrevivencia.<\/p>\n<p><em><strong>Afro-Napoli United<\/strong><\/em> | Loro di Napoli<br \/>\nDe Pierfrancesco Li Donni | Italia | 2015 | 74\u2019 | italiano<br \/>\n<em><strong>FC Roma<\/strong><\/em><br \/>\nDe Tom\u00e1\u0161 Bojar, Roz\u00e1lie Kohoutov\u00e1 | Rep\u00fablica Checa | 2016 | 76\u2019 | checo<br \/>\n<em><strong>Larga distancia<\/strong> <\/em>| The Long Distance<br \/>\nDe Daniel Andreas Sager | Alemania | 2015 | 91\u2019 | ingl\u00e9s, alem\u00e1n, suajili, kalenjin, ruso<br \/>\n<em><strong>Pies ligeros<\/strong><\/em> | Swift Feet<br \/>\nDe Juan Carlos N\u00fa\u00f1ez | M\u00e9xico | 2016 | 76\u2019 | rar\u00e1muri, espa\u00f1ol, ingl\u00e9s<br \/>\n<em><strong>Zebras<\/strong><\/em><br \/>\nDe Javier Zevallos | Argentina | 2016 | 75\u2019 | espa\u00f1ol<br \/>\n&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>M\u00e9xico \u00f3pera prima | Mexico Debut Feature<\/strong><\/p>\n<p style=\"text-align: center;\">Talentos emergentes que en el presente significan el futuro de la cinematograf\u00eda nacional.<\/p>\n<p><em><strong>Ba<\/strong><strong>\u00f1<\/strong><strong>o de vida<\/strong><\/em> | A Bath of Life<br \/>\nDe Dalia R. Reyes | M\u00e9xico | 2016 | 67\u2019 | espa\u00f1ol<br \/>\n<em><strong>Casi para<\/strong><strong>\u00ed<\/strong><strong>so<\/strong> <\/em>| Almost Paradise<br \/>\nDe Pablo Narezo | M\u00e9xico, Alemania | 2016 | 56\u2019 | espa\u00f1ol, alem\u00e1n<br \/>\n<em><strong>El Charro de Toluquilla<\/strong> |<\/em> The Charro of Toluquilla<br \/>\nDe Jos\u00e9 Villalobos Romero | M\u00e9xico | 2016 | 89\u2019 | espa\u00f1ol<br \/>\n<em><strong>La mu<\/strong><strong>\u00f1<\/strong><strong>eca fea<\/strong> <\/em>| The Ugly Doll<br \/>\nDe Claudia L\u00f3pez Garc\u00eda, George Reyes | M\u00e9xico | 2016 | 88\u2019 | espa\u00f1ol<br \/>\n<strong><em>Margarita<\/em> <\/strong><br \/>\nDe Bruno Santamar\u00eda | M\u00e9xico | 2016 | 73\u2019 | espa\u00f1ol<br \/>\n<em><strong>Regreso a la bruma<\/strong> <\/em>| Back to the Haze<br \/>\nDe Alicia Ortega Garc\u00eda | M\u00e9xico | 2016 | 40\u2019 | espa\u00f1ol<br \/>\n<em><strong>Te prometo nunca regresar<\/strong><\/em> | I Promise You to Never Come Back<br \/>\nDe Pepe Guti\u00e9rrez Garc\u00eda | M\u00e9xico | 2016 | 67\u2019 | espa\u00f1ol<br \/>\n<strong><em>The Weekend Sailor<\/em> <\/strong>| El navegante de fin de semana<br \/>\nDe Bernardo Arsuaga | M\u00e9xico | 2016 | 74\u2019 | espa\u00f1ol, ingl\u00e9s, franc\u00e9s, portugu\u00e9s<\/p>\n<p style=\"text-align: center;\"><strong>Nuestra Am\u00e9rica | <\/strong><strong>Our America<\/strong><\/p>\n<p style=\"text-align: center;\">Una mirada al continente, lejano y desconocido en ocasiones, incluso, para sus habitantes.<\/p>\n<p><em><strong>Cantos y cr<\/strong><strong>\u00f3<\/strong><strong>nicas de una barriada olvidada<\/strong> <\/em>| Songs and Chronicles of a Forgotten Neighborhood<br \/>\nDe Marcos Macarro Sender | Espa\u00f1a, Nicaragua | 2016 | 70\u2019 | espa\u00f1ol<br \/>\n<em><strong>Chicago Boys<\/strong><\/em><br \/>\nDe Carola Fuentes, Rafael Valdeavellano | Chile | 2015 | 85\u2019 | espa\u00f1ol, ingl\u00e9s<br \/>\n<em><strong>El buen cristiano<\/strong> <\/em>| The Good Christian<br \/>\nDe Izabel Acevedo | M\u00e9xico | 2016 | 100\u2019 | espa\u00f1ol<br \/>\n<em><strong>Jonas y el circo del patio<\/strong> <\/em>| Jonas e o Circo sem Lona | Jonas and the Backyard Circus<br \/>\nDe Paula Gomes | Brasil | 2015 | 81\u2019 | portugu\u00e9s<br \/>\n<em><strong>Luchando por la paz<\/strong> <\/em>| Fighting for Peace<br \/>\nDe Joost van der Valk, Mags Gavan | Pa\u00edses Bajos, Brasil | 2015 | 72\u2019 | portugu\u00e9s, ingl\u00e9s<br \/>\n<em><strong>Muerte por mil cortes<\/strong> <\/em>| Death by a Thousand Cuts<br \/>\nDe Juan Mej\u00eda Botero, Jake Kheel | Estados Unidos, Rep\u00fablica Dominicana, Hait\u00ed | 2016 | 73\u2019 | espa\u00f1ol, criollo haitiano<br \/>\n&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Otro mundo es posible | Another World Is Possible<\/strong><\/p>\n<p style=\"text-align: center;\">Personas, comunidades y culturas enteras que luchan para mejorar el entorno que les rodea.<\/p>\n<p><em><strong>Disidentes digitales<\/strong><\/em> | Digitale Dissidenten | Digital Dissidents<br \/>\nDe Cyril Tuschi | Alemania | 2015 | 90\u2019 | ingl\u00e9s<br \/>\n<em><strong>El poder del cambio. La rebeli<\/strong><strong>\u00f3<\/strong><strong>n energ<\/strong><strong>\u00e9<\/strong><strong>tica<\/strong><\/em> | Power to Change. Die EnergieRebellion | Power to Change. The Energy Rebellion<br \/>\nDe Carl-A. Fechner | Alemania | 2016 | 94\u2019 | alem\u00e1n<br \/>\n<em><strong>La chica que me salv<\/strong><strong>\u00f3 <\/strong><strong>la vida<\/strong><\/em> | Flickan som r\u00e4ddade mitt liv | The Girl Who Saved My Life<br \/>\nDe Hogir Hirori | Suecia | 2016 | 79\u2019 | kurdo, sueco<br \/>\n<em><strong>Otro mundo. Los que llegan por mar<\/strong> |<\/em> Another World. Ceux qui arrivent par la mer | Another World. Those Who Arrive by Sea<br \/>\nDe Manuela Morgaine | Francia | 2016 | 33\u2019 | franc\u00e9s, italiano<br \/>\n<em><strong>Pr<\/strong><strong>\u00f3<\/strong><strong>xima estaci<\/strong><strong>\u00f3<\/strong><strong>n: Utop<\/strong><strong>\u00ed<\/strong><strong>a<\/strong><\/em> | Epomenos stathmos: Outopia | Next Stop: Utopia<br \/>\nDe Apostolos Karakasis | Grecia | 2015 | 91\u2019 | griego<br \/>\n&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Retratos | Portraits<\/strong><\/p>\n<p style=\"text-align: center;\">Obras que trascienden la individualidad de sus protagonistas, alcanzando la universalidad<\/p>\n<p><em><strong>5 de octubre<\/strong><\/em> | 5. okt\u00f3ber | October 5<br \/>\nDe Martin Koll\u00e1r | Rep\u00fablica Checa, Eslovaquia | 2016 | 52\u2019 | eslovaco<br \/>\n<em><strong>Adi<\/strong><strong>\u00f3<\/strong><strong>s, amor, voy a luchar<\/strong> <\/em>| Ciao amore, vado a combattere | Goodbye, Darling, I\u2019m Off to Fight<br \/>\nDe Simone Manetti | Italia | 2016 | 72\u2019 | tailand\u00e9s, franc\u00e9s, italiano, ingl\u00e9s<br \/>\n<em><strong>Europa, ella ama<\/strong><\/em> | Europe, She Loves<br \/>\nDe Jan Gassmann | Suiza, Alemania | 2016 | 100\u2019 | ingl\u00e9s, et\u00edope, estonio, griego, espa\u00f1ol<br \/>\n<em><strong>Las ra<\/strong><strong>\u00ed<\/strong><strong>ces permanecen<\/strong><\/em> | The Roots Remain<br \/>\nDe Andrew Marchand-Boddy, Jean-Sebastien Francoeur | Camboya, Canad\u00e1 | 2015 | 77\u2019 | ingl\u00e9s, franc\u00e9s, jemer<br \/>\n<em><strong>Peque<\/strong><strong>\u00f1<\/strong><strong>as mentiras piadosas<\/strong><\/em> | The Travel Agent<br \/>\nDe Niccol\u00f2 Bruna | Espa\u00f1a, Italia | 2015 | 88\u2019 | espa\u00f1ol<br \/>\n<em><strong>R<\/strong><strong>\u00ed<\/strong><strong>o Corgo<\/strong> <\/em>| Rio Corgo<br \/>\nDe Maya Kosa, Sergio da Costa | Suiza, Portugal | 2015 | 95\u2019 | portugu\u00e9s<\/p>\n","protected":false},"template":"","meta":{"_id_youtube":"","_id_vimeo":"","_podcasts_duration":"","_podcasts_url":"","_podcasts_show":"","_prog_horario_dias":"","_prog_hora":"","_prog_duration":""},"class_list":["post-20110","archivo","type-archivo","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nofm-radio.com\/index.php?rest_route=\/wp\/v2\/archivo\/20110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nofm-radio.com\/index.php?rest_route=\/wp\/v2\/archivo"}],"about":[{"href":"https:\/\/nofm-radio.com\/index.php?rest_route=\/wp\/v2\/types\/archivo"}],"wp:attachment":[{"href":"https:\/\/nofm-radio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}